ARRI and Carl Zeiss have created lenses which, for the first time, completely unite all main characteristics such as focus, contrast, color saturation, color uniformity and compactness together with the high speed T1.9 rating, low aperture-induced focus shift and uniform pupil position. The ARRI Zeiss Ultra Prime Lenses retain excellent image quality even at close focus across the whole Super 35 frame.

Atlas Lens Co. Orion Series 32, 40, 50, 65, 80, 100

Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability.

Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras.

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The newest member of Canon’s Compact-Servo lens family has a focal range of 70–200mm. The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.

Acknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens…

Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All focal lengths are color balanced, achieving excellent contrast and resolution over the full Super 35 format.

The S4 Prime lenses are equipped with /i Technology. S4/i lenses are designed for all…

Cooke Anamorphic/i lens series set includes: 25mm, 32mm, 40mm, 50mm, 65mm Macro, 75mm, 100mm, 135mm.
The “SF” stands for Special Flair because they allow you to kick the flares, bokeh and other aberrations into new visual territory.   Cooke went one step further with their new Anamorphic/i SF lenses that are specially manufactured with a coating that allows for even more creative options.

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Set includes 18mm, 25mm, 32mm, 50mm, 75mm and 100mm
The miniS4/i primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.

High-performing

The same exceptional resolution and optical quality as the S4/i, but at a lower price point.

Lightweight

Enjoy a smaller, lighter lens without compromising on quality.

Reliable…

Lens set includes 18, 25, 32, 40, 50, 65, 75, 100mm

The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern redesign of the vintage classic. We are pleased to welcome Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses to Talamas' rental inventory.

Cooke's new Pancho, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of…

This lens is ideal if you need an ultra wide angle lens to pair with many of our vintage lens sets. This vintage lens is one of the widest rectilinear lenses ever made. This is not a fisheye lens. The lens has no distortion at all, which is amazing considering its age, and speed. It’s quite sharp, but has some bloom wide open. Contrast increases when stopped down.

Lens set includes 18, 25, 35, 50, 75, 100mm

The…

Lomo Square Front Anamorphic Lens Kit includes 35mm, 50mm, and 80mm.
The famous LOMO Anamorphic lenses are legendary for their personality. These lenses are praised for their quirky, horizontal lens flare and fantastic shallow depth of field. Anamorphics work by “squeezing” the standard image into a skinnier image frame on an applicable 4:3 capable camera. (I.e. the Arri Alexa Mini). Then, “expanding” the image in post to give you that amazingly epic 2.35:1 ratio.
Lomo Square front…

P+S Technik Evolution 2X  matching Kowa Anamorphic Lens Set includes 40mm, 50mm, 75mm and 100mm lens set.  Available in PL mount only.

Genuine Anamorphic Look
The look and bokeh of the Evolution lenses matches the genuine anamorphic look of the original lenses. The optical design of the Evolution lenses is based on original optical design and the front anamorphic principles. They are low in contrast and warm in color and can be made to flare.

The lenses…

Sigma Cine Primes range from 14mm to 135mm, all with a common T1.5 maximum aperture (T2.0 for the 14mm and 135mm). With a more than adequate 180 degree focus rotation and a robust mechanical design, the Sigma Cine Primes are an excellent choice for a wide variety of production situations - from small indie projects, up to feature films. Built from scratch, entirely in Sigma's Aizu factory, the Sigma Cine Primes are a tool that cinematographers and ACs are sure to embrace.

The compact, lightweight Tokina Cinema 11-16mm T3.0 is not just a simple rehousing of the critically-acclaimed still lens version, rather the lens designers re-engineered it to provide cinematographers the control and performance they have come to expect in lenses that cost 10 times as much. Engineered to offer superb optical 4K performance the 11-16mm T3.0 delivers sharp, consistent images throughout its zoom range by reducing breathing and maintaining focus throughout the zoom range (…

Zeiss B Speeds Ancient Optics/ GL Optics 18, 25, 30, 50, 85 - T1.4

The first and oldest generation of the legendary Zeiss "Super Speed" lenses, referred to as "B-Speeds". This set has been reimagined by @ancientoptics and rehoused by @GLOptics, while retaining both the original vintage coating that produces amazing flares, as well as the original rounded nine blade "triangular" iris design that gives a striking rounded triangular bokeh.

Zeiss Standard Speed 10 Lens set includes: 12, 16, 20, 24, 28, 32, 40, 50, 60, 85

The famous Zeiss Super Speed Prime Lenses have been in use for decades, and are a great choice for many productions, adding experience and personality to the image. Their fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.

The Mark III version improves on previous housings. They have a gear on the iris ring and a different focus helix thread that allows rotation of nearly a full turn. Mark III focus scales are larger in…