The ARRI MMB-1 Mini Matte Box is the first mattebox designed for smaller-sized HD camera bodies. The ARRI MMB-1 is the only small form-factor mattebox allowing for use of three filters, including one fully-rotatable round, with the new wide-angle Fujinon XS8x4mm zoom for the Sony EX-3. It can be configured as a clip-on or rodded matte box.

The ARRI LMB-15 is the perfect choice for those requiring a lightweight clamp-on mattebox solution. The 4 x 5.65 horizontally oriented filter trays slide into heavy duty machined guides with ease. The LMB-15 can be rapidly configured for two or three stage capacity.

The LMB-15 is compatible with LMB-5 filter trays, clamp adapter backs and carbon fiber light shields. For greater flexibility, the new 130mm back also works with clamp-on rings from the MB-20 system. The LMB-15 accepts…

How to Integrate Your Cinetape, WCU-4, and LBUS Motors. Problem Solved.

Mike Duca of Talamas explains how the ARRI LCUBE CUB-1, a miniature signal converter that converts LBUS protocols to serial protocols and vice versa, can be used to create a lightweight custom solution that…

5.65"x5.65" Compact Matte Box MB-20 and MB-20 System II are modular systems that can be adapted for use 
on film and video camera lightweight supports, bridge plate support rods, or as a clamp-on sunshade.

Main Features

• ARRIs new and innovative patent-pending cage design allows for use of videography-style light shields 
• without sacrificing durability, and gives full protection of the sunshade against shocks.
• Aside from the basic module and…

The ARRI Hi-5 hand unit provides reliable wireless camera and multi-axis lens control in demanding situations on set. Robust and weatherproof, it features unique, swappable radio modules for different territories and shooting challenges, ensuring the best possible radio link range for every setup.

Features include hot-swapping battery support, optional radio modules for different regions, user-defined function buttons, pre-marked Smart focus rings, an integrated NATO rail, and a…

The ARRI LMB-4A is a 6.6"x6.6" lightweight matte box. The ARRI LMB-4A is designed for extreme wide angle lenses and can only be used by clipping on the lens directly. It will fit lens diameters of a range from 80mm – 130mm these include Zeiss and Cooke lenses. The ARRI LMB-4A has a wide shade that also fits the ARRI/Zeiss Ultra Prime 8R.

Compact, handheld director's viewfinder with PL Mount.

The modular ​ARRI FF-5 follow focus system in Cine version is a combined lightweight or studio follow focus for all kinds of lenses. Since it uses the same focus knobs as the MFF-2, knobs with individualized markings can be transferred between the FF-5 and MFF-2, speeding up turnaround times for focus pullers.

ARRI FF-5 Cine Follow Focus Features

• gear ratio 1:2 for cine style lenses
• Unique space-saving, snap-on bridge mechanism (lightweight or studio) for fast…

The ARRI MMB-2 is a very lightweight and compact matte box. The reduction/ Clamp-on rings are made out of composite material and are designed to clamp the Mini Matte Box MMB-2 on Cine style lenses. The reduction/ Clamp-on rings are not suitable for Stills photography lenses with a front filter thread. The stills Lens Clamp-on Rings screw on the front filter thread of Stills lenses to offer a standard front diameter of 114mm. The Stills Lens Clamp-on Rings can be used as straight clamp-on…

The ARRI MB-28 is a compact matte box designed to cover the largest cine zoom lenses. The MB-28 is available with a three-filter stage and a swing-away system. Natively designed for 6.6" x 6.6" filters, the MB-28 can be made compatible with all sizes of industry-standard filters.

ARRI MB-28 Compact Matte Box Features

• 6.6" x 6.6" wide-angle compact swing-away matte box
• Two rotatable filter frames for use with polarizing and grad filters
• Rear bellows hold 6"…

The modular ARRI MFF-2 HD is a lightweight, single-sided follow focus unit for small video cameras and DSLRs. The ARRI MFF-2 HD Mini Follow Focus has a gear ratio of 1:1 for smaller video lenses.

ARRI MFF-2 HD Mini Follow Focus Features

• Unique space-saving, snap-on bridge mechanism
• Choice of three different focusing knobs (standard, hard stop, 2-speed)
• Reversing feature for Nikon and Leica lenses
• Compatible with a wide range of ARRI driver…

The ARRI  MFF-1 Mini Follow Focus is the newest lightweight, single-sided follow focus from ARRI. It is fully adjustable, which allows the unit to be mounted to any camera system with 15 mm lightweight support rods. It can also be supported from 15 mm or 19 mm bridgeplates using standard adapters from third party manufacturers.

Manufactured in sleek black metal, the ARRI FF-4 Follow Focus combines a modern look with trusted engineering and a classic design. While the FF-4 kit contains the essentials for pulling focus on any type of production, the choice of either 15mm or 19mm rod adaptors means that you can shape the system to meet your particular requirements. The ARRI FF-4 follow focus is an industry workhorse and has already proven itself on countless tough shoots all over the world, so you needn’t…

The ARRI LMB-25 is a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15, while retaining the low price tag of an entry-level LMB-5.

ARRI LMB-25 Light Weight Mattebox Features

• 2- or 3-filter metal filter stage guide
• Combo 4x4 / 4x5.65" filter frames
• Compatible with all LMB-5/15 filter frames, Clamp Adapters and light shields
• Wide angle hood easily removable on set with captive screws
• Securing loop on…

The ARRI FF-5HD is a follow focus that has been designed specifically for video lenses or cine lenses with a small diameter barrel. The FF-5HD has a longer swing arm for better gear positioning with HD lenses. A lower gear ratio is also better suited for the smaller lens diameter of HD lenses and/or for cine lenses with a compressed focus scale. The ARRI FF-5HD can be mounted directly onto lightweight rods through a snap-on mechanism, ensuring simple and fast setup on the set…

The Bebob ZOE-EX Zoom Control offers a full range of innovative remote functions, including Variable Stepless Zoom Speed Control, Record Start/Stop Button, Return Function, & Reversible Zoom Direction, in a compact user friendly package.

Rugged Functionality

Housed in a streamlined, casing of lightweight, durable shock-resistant polycarbonate, Bebob ZOE-EX Zoom Control adjusts zoom function through the system's innovative pressure-sensitive rocker switch. Speed of the…

The B+W 72mm Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. The filter arranges, and filters, directionally polarized light perpendicularly to the reflected light, allowing for the absorption of much of this light. This results in a noticeable reduction of glare and reflections from non-metallic surfaces and an increase in the saturation of skies and foliage.

A circular…

The B+W 82mm Slim Circular Polarizer helps to Eliminate Reflections and Glare and reduces Haze and Blue Cast in Landscapes. It features greater color and tonal saturation, Slim-Line Mount for Wide Angle Lenses, Lightweight Aluminum Filter Ring, and High Quality Schott Glass.

The Canon FFC-200 is a manual flex focus handle built for ENG/EFP Canon lens controller kits, including the MS-210D, MS-220, MS-210, MS-21, and MS-22. The controller provides precision focus control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Canon ZSD-300D is a digital zoom servo demand for Canon lens controller kits.

The Canon ZSD-300M Remote Zoom Control is a momentary-type zoom servo demand for Canon lens controller kits. The controller provides precision zoom capability in a handlebar style controller and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Chrosziel MB 415 Wide Angle Matte Box mounts on 15mm support rods and includes a top mounted French flag and two filter stages. Both filters can be rotated and fixed in any vertical position. The second stage rotates up to 360°, depending on the size of the filter. Two multi-format filter-holder are also included, one for 4 x 4" or 4 x 5.65" and second for 5 x 5" or 4 x 5.65" filters. A third stage inside the rubber bellows accepts round filters with a 138mm diameter.

Rent our Chrosziel 4×5.65 Clip On Matte Box.  

This Chrosziel mattebox is designed specifically for Fujinon & Canon F4.5 zoom lenses.

4×5.65″ 2 stage matte box with 138mm rotating stage

The Cinematography Electronics Cine Tape Measure continuously calculates the distance between a subject and the camera's film-plane. By continuously measuring distance during a shot, small or subtle subject movements are no longer a problem. With non-stop measurements, focusing a camera lens is simplified which saves time, avoids retakes and reduces production costs. The main components of the Cine Tape Measure are the Cine Tape Measure Control and the Sensor Assembly. The control displays…

Soft Effects Attachment for the Cooke S4/i 65mm and 75mm Prime Lenses

The effect of the Cooke Soft Effects Attachment is high resolution with a stunning glow to the highlights.  This is not like the effect obtained with traditional filters.  The image is not fuzzy, soft or screened.  The effect is subtle, but most pronounced wide open, becoming less pronounced as you stop down.

The design for this lens attachment is based on Cooke’s PS945 portrait…

The Fujinon CFH-11 Remote Focus Control is a manual focus grip designed to work with Fujinon MM-11, MS-11 and MS-11D control kits, in conjunction with the CFC-12-990 flexible cable and FMM manual focus module. The grip provides precision focus control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Fujinon ERD-T22 Remote Zoom Control is a B4 type zoom demand designed to be used in HDTV/Broadcast digital lens control kits, including the Fujinon MS-11, SS-11, SS-13A. The demand provides precision zoom control and is useful in a variety of professional broadcast applications, including live event coverage and sports.

The Fujinon SRD-92B Remote Zoom Control servo zoom demand is a robust professional grade zoom demand for use with all Fujinon Professional and some Broadcast lenses which feature an 8 pin connection. The Fujinon SRD-92B Remote Zoom Control provides super smooth variable speed zoom control via an ergonomic thumb grip. A potentiometer allows further control of the maximum zoom speed. There are buttons for record stop / start as well as return video. A heavy duty clamp system allows…

The Heliopan 105mm Circular Polarizer Filter helps to reduce reflections and glare by filtering out light that has become polarized due to reflection from a non-metallic surface. This results in a noticeable increase in the saturation of skies and foliage, as well as clearer imagery when photographing in hazy conditions. A circular polarizer differs from a linear polarizer in that it supports full use of a camera's autofocus and auto exposure functions.

One of the features of the…

The Hoya 95mm Linear Polarizer Glass Filter allows you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. It can also saturate colors and increase contrast. Linear polarizers work with older camera meters.

The Laird Telemedia 12V DC Power Cable 4-Pin Male to 4-Pin Female XLR 10 ft is a 4-pin XLR male to 4-pin XLR female cable for connecting any 12V 4-pin XLR output to input.

Use the Lentequip Rotapola 4X5.65 Polarizer in combination with a drop-in linear polarizer and you can create your very own variable ND filter.

The Preston Microforce V+F2 Zoom Control incorporates the same force sensor technology which has made the Micro Force an industry standard. Its new output amplifier will drive motors from M26T Heden motors to the full range of Panavision zoom motors. A new ergonomic design provides a rounded grip for comfortable all-day use. The integral camera run switches allows remote run/stop operation.

The Preston FI+Z3 Lens and Camera Control 3 channel system can control both lens functions (focus, iris, and zoom) as well as camera functions (speed, shutter angle, and VTR). The FI+Z3 system consists of the Hand Unit HU3, Motor Driver MDR3, a set of Digital Motors, a Micro Force zoom control, and a variety of optional controls including wireless Focus/Iris, Zoom, and F/X units.

Preston HU3 Hand Unit

The HU3 gives focus pullers not only a robust and reliable…

The Light Ranger 2 is the first and only focus assist system designed for modern high-resolution cameras. The LR2 incorporates an infrared LED/sensor system with 16 distinct measurement zones, allowing the focus puller to visualize the depth of an entire scene without looking away from the monitor. In this era of shooting the rehearsal, the LR2 provides focus pullers with innovative tools to accurately judge focus distance in even the toughest shooting scenarios.

Each of the 16…

The Preston Microforce V+F3 Zoom Control is used to control analog zoom motors mounted externally on the zoom lens, or the internal zoom motors of Panavision lenses. The Microforce VF+3 replaces the venerable 10 turn zoom sensitivity control with a virtually indestructible control knob and bright digital display.

The classic ergonomic design provides a rounded grip for comfortable all-day use and also offers a convenient attachment point for its mating…

The Preston FI+Z Lens and Camera Control 2 channel system can control both lens functions (focus and iris) as well as camera functions (speed, shutter angle, and VTR). The FI+Z system consists of the Hand Unit HU3, Motor Driver MDR-4, a set of DM2 Digital Motors, and a variety of optional controls including wireless Focus/Iris, Zoom and F/X units.

Preston HU3 Hand Unit

The HU3 gives focus pullers not only a robust and reliable unit but one whose controls equip…

The Preston Digital Microforce 2 Zoom Control features automatic lens calibration, electronic limit setting, and a bright LED bargraph display of zoom position. It also includes programmable soft stops and a speed control knob with a digital readout.

The rugged housing, machined from solid aluminum alloy, protects the control from mechanical abuse and assures years of reliable operation. Its ergonomic design provides a rounded grip for comfortable all day use and also…

The Schneider 127mm Rotating Polarizer filter is an extremely effective polarizer for motion picture and television cameras. Having an extinction ratio of ER 374, the Schneider True-Pol is 12 times more effective than other polarizing filters.

Schneider 127mm Rotating Polarizer Features

• Reduce glare and unwanted reflections
• Saturate colors
• Deepen blue skies
• Improve contrast
• Penetrate haze

These high-quality single element close-up lenses require absolutely no exposure compensation. The Schneider 4.5 Diopter Lens feature hard, anti-reflective coating on both front and rear surfaces. This measurably reduces light loss and flare while helping to ensure proper color, contrast, and overall image quality. Schneider drop-in diopters feature rugged black anodized aluminum rings. The diopters are protected by a unique mounting technique which ensures superb structural…

The Schneider 4.5 inch True Polarizing mounted glass filter is for cameras which use polarizing elements in the beam-splitters of the viewing system, such as ARRI 435 and the Movie-Cam Compact. This filter may also be required on certain high definition video cameras with complex optical blocks such as the Sony PMW-EX1, PMW-EX3, and PDW-700 which polarize the red an blue channels more than other cameras and therefore require a circular polarizer to prevent cross polarization and associated…

Having an extinction ratio of ER 374, the Schneider 5x5 True-Pol Linear Polarizer is 12- times more effective than other polarizing filters, and is unmatched in its ability to Reduce glare and unwanted reflections, Saturate colors, Deepen blue skies, Improve contrast, and Penetrate haze. True-Pol Polarizing filters enable you to achieve a level of optical performance previously unavailable to cinematographers. The Schneider Optics True-Pol is ideal for cameras such as the…

The Schneider 6x6 HD Classic Soft Filter set produces a classic Old-Hollywood close-up look. Hundreds of Micro-Lenslets arrayed within each Schneider Classic Soft filter provide a precisely controlled soft image that is overlaid on a sharp, in-focus image. This combination diffuses the image while maintaining overall sharp focus. Schneider calls this Schneider In-focus Diffusion. The number of Micro-Lenslets per square inch determines the image blending effectiveness of each Classic Soft…

The Schneider 77mm Graduated Soft Edge ND Filter is used for cinematography. This filter has an ND (Neutral Density) of 0.9 (3 stops) and 50% of the filter is clear. The transition from clear to ND is done with an SE (Soft Edge) transition line. SE grad lines are used with wide angle and normal focal length lenses. This Graduated Neutral Density filter is used to balance exposure within a scene. One very common use is to balance the exposure of the sky and earth in a landscape, thus avoiding…

RM-B170

Handheld remote control unit for Sony studio cameras and camcorders.
The RM-B170 remote control unit is the successor to the RM-B150. It provides an even more affordable solution for basic remote camera operations, with added features, including the remote control of media and the operation of clips of non-linear media. It can be directly connected to a camera or camcorder as a portable-type remote control unit or it can be connected to a CCU for use as…

CTRL.1 The Single-Axis Wireless Lens Controller from Teradek can control focus, iris or zoom at a distance of up to 5,000 ft. CTRL.1 can auto-calibrate a lens focal scale to premarked rings using highly precise Teradek-designed software. This not only saves time on set and in prep from having to mark up individual rings and re-calibrating after every lens swap, but also ensures pinpoint accuracy. CTRL.1 is the only professional single-channel controller on the market offering lens mapping…

Polarizer filters provide color and contrast enhancement to video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly with a polarizer filter.

Tiffen 72mm Rotating Polarizer Features

• Essential general-use outdoor…

The Tiffen 4 x 4 812 Warm Filter improves skin tones and is ideal for video shot on a cloudy day or outdoors, in shade on a sunny day.

Tiffen 4 x 4 812 Warm Filter Features

• Ideal for portraits or scenics
• Absorbs blue cast
• Adds warmth to pale washed-out flesh tones

The Tiffen 4 x 4 Black Diffusion FX Filter Set gives a silky-smooth look to textured surfaces. These filters help suppress facial blemishes and wrinkles while maintaining a clear, focused image. The effect of the lighter grades in this kit is subtle, with the higher grades becoming gradually more noticeable.

Polarizers provide color and contrast enhancement in video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.

Tiffen 4 x 4 Ultra Polarizer Features

• Essential general-use outdoor color filter
• Produces…

Polarizers provide color and contrast enhancement - warm polarizers contribute a warming effect making it ideal for portraits and scenics. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.

Tiffen 4 x 4 Warm Polarizer…

Polarizers provide color and contrast enhancement in video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly.

Tiffen 5 x 5 Ultra Polarizer Features

• Essential general-use outdoor color filter
• Produces…

Tiffen IRND filters provide a true neutral density beyond the visible range into the near infra-red. IRND filters incorporate Tiffen’s unique ColorCore technology that sandwiches the coating within the filter and allows for easy cleaning without fear of damaging the filter as with surface coated filters. These innovative new filters are made from the finest optically pure glass and are ground and polished to the highest possible standards of flatness and perfect parallelism.

IR ND…

The Tiffen 77mm Neutral Density Filter Kit is a complete filter outfit for the shooter who wishes to create special effects without having to put in any post-production time. This combination of neutral density filters gives you the freedom to make some unique and effective images that would ordinarily not be possible.

The kit contains a 1-stop (0.3), 2-stop (0.6), and 3-stop (0.9) set of ND filters. Using these filters permits you to use slower shutter speeds that can produce blurred…

The Tiffen 77mm T1 Infrared Filter is a high-tech filter targeted towards eliminating infrared contamination at 680nm. This filter will assist you in maintaining your color spectrum when shooting against a dark fabric. You will notice the blacks turn out true with no color cast from the red end of the spectrum.

This filter has been created to help capture a much broader spectrum of color than previous infrared filters - particularly with digital camcorders.  Color shift is a…

The Tiffen 82mm Neutral Density Filter Kit is a set of filters to help you get better shots in bright light as well as assisting you with some special effect images. Neutral Density filters have several uses. They enable the shooter to adjust exposure without affecting color balance. ND filters appear gray and reduce the amount of light reaching the film.

Polarizer filters provide color and contrast enhancement to video. Reflected light often shows up as whitish glare that washes out color in an image. A Polarizer corrects this problem producing deep, dramatically blue skies. It also removes glare from non-metallic surfaces, such as windows and water. Color saturation in general, especially outdoors, can be improved significantly with a polarizer filter.

Tiffen 82mm Rotating Polarizer Features

• Essential general-use outdoor…

The Nucleus-M is a revolutionary and highly customizable 3-channel wireless lens control system. It allows you to have full control of focus, iris, and zoom on either the FIZ hand unit or between the two wireless hand grips. You can even split control of the channels between the hand unit and wireless hand grips as you see fit with the push of a button.