Optimo Ultra 12x FF/VV, S35 & U35
The long-range cinema zoom reference redefined
Successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.
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The Angenieux Optimo 24-290mm T2.8 Zoom Lens offers superior optical performance across its entire zoom range with contrast and color reproduction that rivals the highest performing prime lenses.
The Angenieux Optimo 45-120mm T2.8 zoom lens offers exceptional optical quality that rivals the best prime lenses at equivalent focal distances. There is no ramping, minimal breathing and the focus ring has 320°of rotation with over 50 witness marks.
EZ-1 30-90mm T2.0 114mm front diameter PL or EF mount Super 35
EZ-1 45 to 135mm T3.0 114mm front diameter PL or EF mount full-frame/VistaVision
The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm…
Angénieux EZ-2 15 to 40mm T2 114mm front diameter PL or EF Mount Super 35
Angénieux EZ-2 22 to 60mm T3 114mm front diameter PL or EF Full Frame/Vistavision
The Angénieux Type EZ-2 for S35mm/FF/VistaVision
Compact 21-56 FF
A new generation of wide-angle compact spherical zoom lens
Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest on the market…
ARRI and Carl Zeiss have created lenses which, for the first time, completely unite all main characteristics such as focus, contrast, color saturation, color uniformity and compactness together with the high speed T1.9 rating, low aperture-induced focus shift and uniform pupil position. The ARRI Zeiss Ultra Prime Lenses retain excellent image quality even at close focus across the whole Super 35 frame.
Atlas Lens Co. Orion Series 32, 40, 50, 65, 80, 100
Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability.
Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras.
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The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for Super35mm large-format single-sensor cameras and accommodates either broadcast or cinema-style production due to its removable Digital Drive unit. Available in EF- or PL- mount versions, the lens delivering the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of October 16, 2014. The lens is great for sports,…
The newest member of Canon’s Compact-Servo lens family has a focal range of 70–200mm. The COMPACT-SERVO 70–200mm T4.4 EF lens combines high level 4K optical performance with a compact size of only 7.2 in. in length and a weight of only 2.76 lbs. provides outstanding mobility.
Acknowledging the need to control zoom, focus and iris, Canon has developed this zoom lens with full external servo control. The integrated servo drive unit is compatible with broadcast industry-standard lens…
The Canon CN-E 18-80mm T4.4 (f/4) COMPACT CINE-SERVO Zoom Lens combines the functionality of Canon's EF lenses with the features and performance of their CN-E lineup. Designed for use with EF-mount cameras featuring Super 35 sized sensors, the lens covers an incredibly useful 18 to 80mm focal range while maintaining a constant T-stop of T4.4 (f/4) throughout. Measuring 7.2" long and weighing only 2.65 lb, the lens presents itself as a compact, lightweight option suitable for a variety of…
This lens has the Duclos Lenses Multi-Mount modification installed and can be rented in either PL or EF mount.
The compact and lightweight CN-E 15.5-47mm T2.8 L Cinema Zoom Lens rivals best-in-class zoom magnification and wide-angle focal length range for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and exceeding industry standards. It features advanced optical design with fluorite and large…
The CINE-SERVO 15-120mm T2.95-3.95 PL is the latest Cine-Servo lens from Canon. The lens can further extend up to 180mm with the built-in 1.5x extender. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 15-120mm T2.95-3.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. This lens features high optical performance throughout the broad focal…
This lens has the Duclos Lenses Multi-Mount modification installed and can be rented in either PL or EF mount.
The compact and lightweight CN-E 30-105mm T2.8 L Cinema Zoom Lens rivals best-in-class zoom magnification and mid-range focal lengths for the Super 35mm format, and is engineered to offer superb optical 4K performance for demanding high-end productions, meeting and exceeding industry standards. It features advanced optical design with fluorite and large…
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All focal lengths are color balanced, achieving excellent contrast and resolution over the full Super 35 format.
The S4 Prime lenses are equipped with /i Technology. S4/i lenses are designed for all…
Lens set includes 18, 25, 32, 40, 50, 65, 75, 100mm
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern redesign of the vintage classic. We are pleased to welcome Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses to Talamas' rental inventory.
Cooke's new Pancho, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of…
Cooke Anamorphic/i lens series set includes: 25mm, 32mm, 40mm, 50mm, 65mm Macro, 75mm, 100mm, 135mm.
The “SF” stands for Special Flair because they allow you to kick the flares, bokeh and other aberrations into new visual territory. Cooke went one step further with their new Anamorphic/i SF lenses that are specially manufactured with a coating that allows for even more creative options.
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Set includes 18mm, 25mm, 32mm, 50mm, 75mm and 100mm
The miniS4/i primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.
High-performing
The same exceptional resolution and optical quality as the S4/i, but at a lower price point.
Lightweight
Enjoy a smaller, lighter lens without compromising on quality.
Reliable…
The Fujinon MK18-55mm T2.9 Zoom Lens is a lightweight cine zoom lens for E-mount cameras with a Super 35mm-sized sensor. It features a mechanical design with three independent lens control rings: focus, iris, and zoom. Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine -style lens accessories. The focus ring features approximately 200° of rotation, which provides room or precise focus pulls, and the iris is clickless, enabling smooth iris pulls. The…
A 12x PL mount cine lens, starting at 25mm and reaching to 300mm, will give you the versatility to cover a wide variety of shooting situations. The PL 25-300 with its generous focal range, makes it ideal for shooting documentaries, nature and wildlife, and car commercials, as well as the closer shots.
The PL 25-300 covers 31.5mm sensor size on a digital cinema style camera. While sensors on standard broadcast cameras are all the same size, sensors on digital cine cameras vary greatly.…
The Fujinon PL 20-120mm Cabrio XK (XK6x20) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens.
The XK6x20 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 20-120mm focal range, weight of only 2.9kg including servo motors, and a T Stop of T3.5 end to end.
Videographers used to shooting video in a typical ENG-style will be very…
FUJINON MK50-135mm T2.9 achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. Super 35mm/APS-C sensor compatibility and E-mount dedicated design have led to an ultra-compact & lightweight body, and excellent cost performance. It suppresses focus shift and optical axis shift while zooming and Lens breathing. Also, it features three fully manual lens rings for…
The Fujinon Cabrio 19-90mm T2.9 Zoom Lens (ZK4.7x19) features an exclusive detachable servo drive unit, making it suitable for use as a standard PL lens or as an ENG-Style lens. The ZK4.7x19 also features flange focal distance adjustment, macro function, and is LDS (Lens Data System) and /i metadata compatible. With a 19-90mm focal range and weight of only 6 lbs including servo motors, this lens has the longest focal range available in a light weight zoom.
Videographers used to…
This lens is ideal if you need an ultra wide angle lens to pair with many of our vintage lens sets. This vintage lens is one of the widest rectilinear lenses ever made. This is not a fisheye lens. The lens has no distortion at all, which is amazing considering its age, and speed. It’s quite sharp, but has some bloom wide open. Contrast increases when stopped down.
Lens set includes 18, 25, 35, 50, 75, 100mm
The…
Lomo Square Front Anamorphic Lens Kit includes 35mm, 50mm, and 80mm.
The famous LOMO Anamorphic lenses are legendary for their personality. These lenses are praised for their quirky, horizontal lens flare and fantastic shallow depth of field. Anamorphics work by “squeezing” the standard image into a skinnier image frame on an applicable 4:3 capable camera. (I.e. the Arri Alexa Mini). Then, “expanding” the image in post to give you that amazingly epic 2.35:1 ratio.
Lomo Square front…
P+S Technik Evolution 2X matching Kowa Anamorphic Lens Set includes 40mm, 50mm, 75mm and 100mm lens set. Available in PL mount only.
Genuine Anamorphic Look
The look and bokeh of the Evolution lenses matches the genuine anamorphic look of the original lenses. The optical design of the Evolution lenses is based on original optical design and the front anamorphic principles. They are low in contrast and warm in color and can be made to flare.
The lenses…
Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design to minimize chromatic aberrations and distortion in order to produce sharper images. Additionally, the lens' design features a built-in lens hood and a UMC coating has been applied to the lens elements to reduce surface reflections and prevent lens flare and ghosting for improved light transmission and more contrast-rich imagery.
180° fisheye lens provides a 35mm-equivalent…
Sigma Cine zoom 18-35 + Sigma Cine Zoom 50-100 Sigma Cine 18-35mm T2.0 is a truly inspiring, general purpose, high speed zoom lens. Perfect for lightweight, solo operation but more than capable of operating in a demanding, professional environment.
With an entirely new mechanical design, the Sigma Cine 18-35mm T2.0 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common gear…
Sigma Cine Zoom 18-35mm + Sigma Cine Zoom 50-100mm. Sigma Cine 50-100mm T2.0 is a truly inspiring, general purpose, high speed zoom lens. Perfect for lightweight, solo operation but more than capable of operating in a demanding, professional environment.
With an entirely new mechanical design, the Sigma Cine 50-100mm T2.0 is a very versatile, capable lens with features common to the motion picture industry including excellent color matching across all Sigma Art lenses, common…
Sigma Cine Primes range from 14mm to 135mm, all with a common T1.5 maximum aperture (T2.0 for the 14mm and 135mm). With a more than adequate 180 degree focus rotation and a robust mechanical design, the Sigma Cine Primes are an excellent choice for a wide variety of production situations - from small indie projects, up to feature films. Built from scratch, entirely in Sigma's Aizu factory, the Sigma Cine Primes are a tool that cinematographers and ACs are sure to embrace.
With a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up.
The Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (PL Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine production and incorporates 0.8 Mod lens gears for…
The compact, lightweight Tokina Cinema 11-16mm T3.0 is not just a simple rehousing of the critically-acclaimed still lens version, rather the lens designers re-engineered it to provide cinematographers the control and performance they have come to expect in lenses that cost 10 times as much. Engineered to offer superb optical 4K performance the 11-16mm T3.0 delivers sharp, consistent images throughout its zoom range by reducing breathing and maintaining focus throughout the zoom range (…
This compact ultra wide-angle zoom has a bright constant f/2.8 aperture make viewing and auto focus possible in lower light situations but still maintaining a reasonable size and weight.
Two Super-Low Dispersion glass elements and two aspheric glass allow the proprietary optical design to achieve excellent contrast and sharpness as well as controlling chromatic aberration.
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF…
Zeiss Standard Speed 10 Lens set includes: 12, 16, 20, 24, 28, 32, 40, 50, 60, 85
The famous Zeiss Super Speed Prime Lenses have been in use for decades, and are a great choice for many productions, adding experience and personality to the image. Their fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.
The Mark III version improves on previous housings. They have a gear on the iris ring and a different focus helix thread that allows rotation of nearly a full turn. Mark III focus scales are larger in…
Available for rent in either PL or EF Mount.
ZEISS Lightweight Zoom LWZ.3 21-100mm/T2.9-3.9 T*
Being a filmmaker, every single shooting day awaits you with its individual, unforeseen challenges. Even if you plan your shoot carefully, unexpected moments are sometimes just what you need. It's your ambition to capture our world's unique, unreproducible moments. What could be more important to you than a powerful toolset?
The new ZEISS Lightweight Zoom LWZ.3 21-100 mm/…
Zeiss B Speeds Ancient Optics/ GL Optics 18, 25, 30, 50, 85 - T1.4
The first and oldest generation of the legendary Zeiss "Super Speed" lenses, referred to as "B-Speeds". This set has been reimagined by @ancientoptics and rehoused by @GLOptics, while retaining both the original vintage coating that produces amazing flares, as well as the original rounded nine blade "triangular" iris design that gives a striking rounded triangular bokeh.