This lens set includes 18mm, 21mm, 28mm, 32mm, 40mm, 50mm, 75mm, 100mm and 135 mm
The Full Frame Optimo Prime Series is a perfect match with the Optimo Ultra 12X, the new long range zoom reference of the industry. The Optimo Prime series is part of Angénieux’s latest high-end lens collection and is ideal for demanding productions requiring native cinema design. 70 years after the first Angénieux prime series, the Optimo Prime Series is the result of decades of proven…
Lens Set Includes: 18mm, 25mm, 35mm, 47mm, 75mm, 95mm, 125mm
The 25mm ARRI Signature Prime T1.8 is a wider lens in an array of large-format primes featuring organic images, attractive bokeh, and a fast T1.8 aperture for achieving shallow depth of field. This prime lens gently softens the large-format look, and produces pleasant, natural skin tones. Focus falls off smoothly, highlighting your subject against its background frame.
ARRI Signature lenses play to the…
ARRI and Carl Zeiss have created lenses which, for the first time, completely unite all main characteristics such as focus, contrast, color saturation, color uniformity and compactness together with the high speed T1.9 rating, low aperture-induced focus shift and uniform pupil position. The ARRI Zeiss Ultra Prime Lenses retain excellent image quality even at close focus across the whole Super 35 frame.
Atlas Lens Co. Orion Series 32, 40, 50, 65, 80, 100
Orion Series lenses combine the aesthetic of vintage anamorphic lenses with modern convenience, adaptability, and dependability.
Orion Series 2X anamorphic prime lenses are built to be a universal filmmaking tool — perfect for the latest professional film and digital cinema cameras with native PL mount or just as easily adapted to Canon EF-based cinema cameras.
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Canon FD lenses re-housed by TLS are available in nine focal lengths: 14mm f2/8, 20mm f2.8, 24mm f1.4, 28mm f/2, 35mm f2 (convex), 50mm f1.3, 85mm f1/2, 100mm f/2, 135mm f/2. These lenses are similar to K-35s.
The Canon CN-E Cine Prime (EF mount) lenses offer a compact, consistent lens design and proven Canon lens elements for performance and reliability in professional shooting environments.
Intended for the working professional, the Canon Cine prime lenses have markings on angled surfaces on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera. Focus markings can even be switched from standard labeling to metric. The…
A professional-grade ultra-wide L-series f/4, for specialists capturing architecture landscapes and interiors. Designed with UD glass to minimize and compensate for chromatic aberrations, with a specially coated aspherical element for the highest possible glare-free image quality, this tilt-shift lens offers a diagonal angle of view of 104° on a full-frame SLR camera.
Versatile image capturing Canon EF lenses encompass a wide range of creative options including compact, wide-aperture prime lenses, zooms for flexible framing and specialist lenses such as fisheye, macro and tilt-shift.
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This lens set includes 25, 32, 40, 50, 75, 100, 135.
A complete range of perfectly matched high-speed full frame cine lenses, consisting of 16 different focal lengths from 18mm to 350mm. All created to the same exacting standard and hand-crafted to the same exceptional quality and reliability.
All-Spherical Design
The S8 features premium all-spherical lenses, which produce a uniquely organic, film-like quality, which is characterised by smooth,…
Cooke Anamorphic/i lens series set includes: 25mm, 32mm, 40mm, 50mm, 65mm Macro, 75mm, 100mm, 135mm.
The “SF” stands for Special Flair because they allow you to kick the flares, bokeh and other aberrations into new visual territory. Cooke went one step further with their new Anamorphic/i SF lenses that are specially manufactured with a coating that allows for even more creative options.
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Lens set includes 18, 25, 32, 40, 50, 65, 75, 100mm
The growing demand for vintage Cooke Speed Panchro lenses from the 1920s to 1960s prompted Cooke to introduce a modern redesign of the vintage classic. We are pleased to welcome Cooke Panchro/i Classic, T2.2 to T3.2 Prime lenses to Talamas' rental inventory.
Cooke's new Pancho, that is true to the original look of the now legendary Speed Panchro, recreates the same look and feel of the original with the advantage of…
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability. All focal lengths are color balanced, achieving excellent contrast and resolution over the full Super 35 format.
The S4 Prime lenses are equipped with /i Technology. S4/i lenses are designed for all…
Set includes 18mm, 25mm, 32mm, 50mm, 75mm and 100mm
The miniS4/i primes (T2.8 to T22 aperture) incorporate everything that today's filmmakers require: smaller, lightweight lenses that offer the same resolution, optical quality and reliability as the S4/i lenses.
High-performing
The same exceptional resolution and optical quality as the S4/i, but at a lower price point.
Lightweight
Enjoy a smaller, lighter lens without compromising on quality.
Reliable…
The Konica Hexanons are a set of vintage cinema lenses rehoused in an anodized aluminum housing by Ancient Optics. They cover full frame sensors providing versatility and a smooth, even bokeh throughout the 8-lens set.
The lens kit comes in 3 distinct lenses including the unique 35-degree tilt view. The Pro2be offers a maximum T8 aperture, 2X magnification and waterproof distance of 36.6cm, pairing perfectly with your high-speed cameras and motion-control system. The distinctive tubular and smartly-twisted lens barrels offer maximum flexibility to explore new perspectives and new heights. It is the all-in-one solution for capturing a wide range of shots, from extreme close-ups to cinematic top and high-…
Rehoused Vintage Super 35 Full Frame Cinema Lenses.
Vintage Prime lenses rehoused by GL Optics.
The Vintage Nikkor lens set represents a unique combination of sharpness, creamy fall-off, and perfect bokeh elements. With today’s digital sensors, the lens becomes the predominant factor in the picture’s look (or quality). The Vintage Nikkor lenses gives qualities that help gain personality and favorable characteristics, especially in flesh tones.
Its 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.
Close-focus 1:1 reproduction at 11.8" working distance Fast, wide T2.9 to T32 aperture range
Full-frame 35mm format support, 4K ready
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VISTA ONE T1.5 — VISTA LENS COLLECTION
Beautiful Single Coated Optics
Experience our renowned Vista Primes with a pleasing reduction in contrast and enhanced flares made possible by our carefully crafted single coated elements
High Resolution Single Coated Modern Optics
Create soft beautiful flares with off-axis light sources. Transition to a modern look with on-axis…
Zeiss Standard Speed 10 Lens set includes: 12, 16, 20, 24, 28, 32, 40, 50, 60, 85
The famous Zeiss Super Speed Prime Lenses have been in use for decades, and are a great choice for many productions, adding experience and personality to the image. Their fast aperture of T1.3, small body and flattering image rendition, make them a favorite of many cinematographers.
The Mark III version improves on previous housings. They have a gear on the iris ring and a different focus helix thread that allows rotation of nearly a full turn. Mark III focus scales are larger in…
With Zeiss' Compact Prime CP.2 lenses, switching between traditional film and digital PL cine cameras is no longer an issue. The CP.2's improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction,longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect…
Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime CP.2 Super Speed lenses offer you the performance you need to get the scene right. The CP.2 Super Speed lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras ranging from HDSLR to digital cinema cameras.
The aperture of…
18mm, 21mm, 25mm, 29mm, 35mm, 50mm, 65mm, 85mm, 100mm
Consistency is one of the key elements offered by the ZEISS Supreme Prime lenses: that means consistent coverage, color rendering, aperture, size, weight and ergonomics. All the lenses across the family cover full frame and even bigger sensors with an image circle of 46.3 mm. The Supreme Prime lenses are color matched across the full range and most feature a fast T-stop of T1.5.
Beautiful look. Full control.
ZEISS Supreme Prime Radiance lenses enable cinematographers to create beautiful, consistent and controlled flares in the image while maintaining contrast and avoiding transmission loss. Yet, they offer all attributes of a modern cinema lens: large-format coverage, high speed, robustness and smooth and reliable focus.
A new coating for a new look: T* blue
A new coating for a new look: Once we had defined what we wanted to…
Our Zeiss Otus ZF.2 Prime Lenses have been Duclos modified to feature a standard 32-pitch focus gear, 95mm front ring, de-clicked and dampened aperture, and stainless steel Canon EF mounts, allowing them to be used with both HDSLR cameras and digital cinema cameras, with little to no compromise.
When ZEISS introduced the ZEISS Otus 1.4/55, creating a new family of high-end SLR lenses, the trade press and users alike were enthusiastic. The ZEISS Otus 1.4/55 has exceeded…
Whether in its role as a high-precision reproduction lens for technical applications or as a traditional, moderate tele-lens for portraits with shallow depth of field, the ZEISS Milvus 2/100M allows you to delve into both worlds.
The ZEISS Milvus 2/100M of the type ZEISS Makro-Planar is currently the fastest 100 mm macro lens on the market and closes the gap between long range and breathtaking close-up shots. This lens bridges distances and allows unique image compositions.…
Enjoy a big picture of the tiny world: the ZEISS Milvus 2/50M can even transport you to the cosmos mirrored in a small drop of water. As a macro lens, it is the perfect solution for the close range. Used as a standard lens, it portrays the world in all its natural perspectives.
Breathtaking details in close-up and traditional portraits are the strengths of the ZEISS Milvus 2/50M of the type ZEISS Makro-Planar. Thanks to its excellent performance at all ranges this macro lens…
Perfect for every occasion. With a wide 35 mm focal length, this lens opens up a world of possibilities. From making your portrait subject stand out against the background to capturing high-precision architectural detail and detailed landscape photography – the choice is yours.
From portraits to architecture and landscape photography – the detail provided by this lens never fails to impress. Edge to edge chromatic aberrations are almost completely eliminated. With 14 elements…
We're excited to have added the Zeiss CP.3's to our inventory. The Zeiss CP3's deliver an exceptionally clean and classic "ZEISS LOOK" and punch well above their weight. Each lens covers full frame, are color-matched and have an updated coating and painted rings, that all but eliminate the well documented chromatic aberration issues of their predecessors. With their compact / lightweight design and…
Zeiss B Speeds Ancient Optics/ GL Optics 18, 25, 30, 50, 85 - T1.4
The first and oldest generation of the legendary Zeiss "Super Speed" lenses, referred to as "B-Speeds". This set has been reimagined by @ancientoptics and rehoused by @GLOptics, while retaining both the original vintage coating that produces amazing flares, as well as the original rounded nine blade "triangular" iris design that gives a striking rounded triangular bokeh.