- Camera Body
- Sony Top Handle
- Sony FS7 EVF
- Sony FS7 Hand Grip
- Sony Remote Control RM-845
- Sony BC-U1 Battery Charger
- 2 x Sony BPU60 LI-ION Batteries
- Portabrace White Balance Card
- Portabrace Rain Slicker
- Portabrace Camera Bag
- Equipment Manual
Now there’s an even more versatile, more capable, more responsive version of Sony’s FS7. Based on feedback from cinematographers, Sony has complimented the FS7 with the FS7 II. Here’s all the performance of the original, and more. Surpass ordinary exposure control with Sony's Electronic Variable ND filter. Secure your lenses with our Lever Lock type E-Mount. Work faster, with greater confidence thanks to even more refined ergonomics.
Want to buy this used gear when it becomes available? Get on the wait list!
Electronic Variable ND
Here’s a fresh way to control exposure. Aperture adjustments affect your depth of field. Shutter speed adjustments affect the presentation of motion. But Sony’s Electronic Variable ND maintains optimum exposure without sacrificing any other parameters. Auto ND mode achieves auto exposure with cine lenses, rangefinder glass and third-party SLR lenses. And Auto ND empowers you to park your iris at the lens “sweet spot,” where distortions are lowest and resolution is highest.
Lever Lock type E-Mount
A robust E-Mount with a locking collar makes for more confident lens changes. To mount, simply hold the lens steady and turn the collar instead. When the collar clicks, your lens is securely locked into place. This minimizes image shifting as you work. The Lever Lock type E-Mount also supports heavier cine and ENG lenses without additional rigging. As before, the camera accepts Sony’s E-Mount lenses, along with simple third-party adaptors for PL mount cinema lenses, SLR and DSLR glass, and even classic rangefinder lenses.
Ergonomics to work faster, with more confidence
The ergonomics set the FS7 apart. Now they’re even better. Put the viewfinder exactly where you want it with the robust multi-adjustable arm. Extend Sony’s telescoping Smart Grip arm entirely without tools. Park the arm alongside the body for waist-level shooting. Then experience the Smart Grip, body shape and balance that so many cinematographers have praised.
To the 4K Super35 performance of the original PXW-FS7, the FS7 II also adds the following refinements.
- ITU-R BT.2020 recording is directly compatible with BT.2020 distribution
- Pop-up LCD monitor hood in addition to the detachable eyepiece
- Improved eyepiece hook for more secure attachment
- Easier access to media cards for convenient removal
Weight: (body with handgrip) : 2.0 kg (4 lb 6.5 oz)
Dimensions: (body with handgrip) 159 mm / 6 3/8" wide
245.5 mm / 9 3/4 high
247 mm / 9 3/4 long
Voltage: 12 V DC (11 V to 16.5 V)
Power : 19 W (body, lens, XAVC-I QFHD 59.94P, viewfinder on)
Battery: Sony BP-U30 (supplied), BP-U60, BP-U60T, or BP-U90 14.4 V DC Battery slides into rear of camera
V-Lock: V-Lock 14.4 V DC Batteries with XDCA-FS7 Extension Unit
Power Adapter: 12 VDC EIAJ connector 11 - 17 V DC
Lens mount: E-mount, Lever Lock
Exposure Latitude: 14 stops
Shutter speeds 1/3 to 1/9000 sec. (23.98P)
Shutter angles: 5.6° to 300°
Slow Motion: 1 - 60P (XAVC QFHD) 1 - 180P (XAVC HD)
White balance: Preset mode (2100K - 10,000K), Memory mode A, B (1500K - 50,000K)
LCD monitor: 8.8 cm / 3.5" diagonal (16:9) 960 (H) × 540 (V) pixels
Media: 2 XQD card slots 1 Utility SD card slot
Connectors
Outputs: 2 SDI Video OUTPUTS BNC, 3G HD/1.5G HD
HDMI Type A, 19-pin OUTPUT
144-pin connector to attach XDCA-FS7 for RAW output
REMOTE 2.5 3-pole sub-mini (handgrip controls)
USB 2.0 type AB mini
USB Type A for W-LAN connection
EVF 40-pin connector
Inputs: 2 Audio XLR 3-pin, female LINE / MIC / MIC+48V switchable
Video Recording formats
XAVC Intra
AVC/H.264 High 4:2:2 Intra Profile
QFHD: VBR, 600 Mbps (max)
4K: VBR, 600 Mbps (max)
HD: CBG, 222 Mbps
XAVC Long
AVC/H.264 High Profile
QFHD: VBR, 150 Mbps (max), 4:2:0 Long
HD: VBR, 50 Mbps (max), 4:2:2 Long
MPEG HD 422
MPEG-2 Long GOP
HD422 mode: CBR, 50 Mbps, MPEG-2 422P@HL
ProRes 422 HQ (With XDCA-FS7 connected)
Apple ProRes 422 HQ 4:2:2, 10-bit, VBR, 220 Mbps (max)
ProRes 422 (With XDCA-FS7 connected)
Apple ProRes 422 4:2:2, 10-bit, VBR, 147 Mbps (max)
Recording frame rates
XAVC Intra
4096×2160/59.94P, 50P, 29.97P, 24P, 23.98P, 25P 3840×2160/59.94P, 50P, 29.97P, 23.98P, 25P 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
XAVC Long
3840×2160/59.94P, 50P, 29.97P, 23.98P, 25P 1920×1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
MPEG HD 422
1920×1080/59.94i, 50i, 29.97P, 23.98P, 25P 1280×720/59.94P, 50P, 29.97P, 23.98P, 25P
ProRes 422 HQ (With XDCA-FS7 connected) 1920×1080/59.94i, 50i, 29.97P, 25P, 23.98P
ProRes 422 (With XDCA-FS7 connected) 1920×1080/59.94i, 50i, 29.97P, 25P, 23.98P