Optimo Ultra 12x FF/VV, S35 & U35
The long-range cinema zoom reference redefined
Successor model to industry reference OPTIMO 24-290 & 28-340, the Optimo Ultra 12x is the ideal long-range zoom for high-end productions: feature films, TV series, live stage, commercials, music videos. The lens features a totally new optical & mechanical design, offering even better optical performance, and improved mechanical stability and serviceability.
…
Angenieux Optimo Zoom Set includes: 15mm-40mm, 24mm-290mm, 28mm-76mm, 45mm-120mm.
The Angenieux Optimo Zoom lenses features a new optical design that eliminates breathing and ramping, and offers superior levels of optical performance across its entire zoom range.
Optimo Ultra Compact 37-102 FF
A new generation of standard compact spherical zoom lens
Second generation of Optimo lightweight lenses, the Optimo Ultra compact lenses replace the famous academy awarded Optimo 15-40 and 28-76 lenses which have been the faithful companions of Directors of Photography for more than 15 years. This new generation of high-end lenses is fully designed for the FF/VV format. Lightweight and compact, these lenses are among the lightest…
EZ-1 30-90mm T2.0 114mm front diameter PL or EF mount Super 35
EZ-1 45 to 135mm T3.0 114mm front diameter PL or EF mount full-frame/VistaVision
The Angénieux Type EZ-1 Pack for S35mm/FF/VistaVision cameras is a standard zoom lens with a zoom factor of 3x. Its focal range and aperture are set to 30-90mm F1.9/T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8/T3 for FF/VistaVision format covering an image circle up to 46mm…
Angénieux EZ-2 15 to 40mm T2 114mm front diameter PL or EF Mount Super 35
Angénieux EZ-2 22 to 60mm T3 114mm front diameter PL or EF Full Frame/Vistavision
The Angénieux Type EZ-2 for S35mm/FF/VistaVision
Series includes:
EF 8-15mm f/4L Fisheye USM, EF 11-24mm f/4L USM, EF-S 10-22mm f/3.5-4.5 USM, EF 16-35mm f/2.8L II USM, EF 24-70mm f/2.8L USM, EF 24-70mm f/2.8L II USM, EF 24-105mm f/4L IS USM, EF 24-105mm f/4L IS II USM, RF 24-105mm f/4L IS USM, EF 70-200mm f/4L IS USM, EF 70-200mm f/2.8L IS II USM, EF 100-400mm f/4.5-5.6L IS II USM, EF 200-400mm f/4L IS USM, Extender 1.4x
For filmmakers and photographers who want the look and feel only possible with extreme wide angle…
The Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens provides 4K performance for Super35mm large-format single-sensor cameras and accommodates either broadcast or cinema-style production due to its removable Digital Drive unit. Available in EF- or PL- mount versions, the lens delivering the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of October 16, 2014. The lens is great for sports,…
The CINE-SERVO 15-120mm T2.95-3.95 PL is the latest Cine-Servo lens from Canon. The lens can further extend up to 180mm with the built-in 1.5x extender. Designed to perform in a shoulder-mounted application or as a traditional cinema lens, the Canon CINE-SERVO 15-120mm T2.95-3.95 zoom lens has an ENG-style Digital Drive handgrip with zoom rocker switch, which can also be detached to allow for manual cinema operation. This lens features high optical performance throughout the broad focal…
Designed to satisfy the discriminating needs of sports and wildlife photographers, the EF 200-400mm f/4L IS USM Extender 1.4X is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. With a simple flick of a switch, the zoom range can be quickly increased to 280-560mm (f/5.6). This capability is extremely useful in applications where it is not possible to change lenses quickly, while also protecting delicate equipment such as a…
Truly a revolutionary product, the Sigma 18-35mm 1.8 DC HSM is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8. Designed specifically for APS-C sized sensors, the Sigma 18-35mm 1.8 translates to 27mm-52.5mm on 35mm camera. Tapping into Sigma’s long history of lens innovations, the 18-35mm 1.8 DC HSM incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle. Internal…
The Sony 28-135mm F4 Full-frame E-mount Power Zoom Lens has been created to satisfy professional optical and operational requirements for cine productions, including 4K, when matched with a 35mm full frame format camera such as the A7s or a Super 35 format camcorder such as the PXW-FS7. Focus breathing and zoom image shift have been reduced to an absolute minimum, while aspherical elements and advanced multi-coating technology effectively suppress aberration. Quiet operation is also a…
Superior resolution throughout the image area and an absolute minimum of distortion are achieved by an advanced optical design that features five aspherical elements, including one large AA(advanced aspherical) element and three ED elements.
Wide-angle impact over a useful zoom range A 16 mm to 35 mm wide-angle zoom range, coupled with effective built-in optical image stabilization makes this lens an excellent choice for snapshots, indoor scenes, group shots, landscapes, and more,…
The F2.8 70-200mm telephoto zoom like no other. The Sony G Master design and technology in a new constant F2.8 telephoto zoom that offers unsurpassed rendering, blazing AF, and extraordinary image stabilization performance.
Sony FE Zoom 24-70mm f/2.8 GM no-compromises Sony design and technology in a new constant F2.8 zoom lens that can fully utilize the performance potential of current and future high-resolution camera bodies.
Sony FE Wide-Angle Zoom 16-35mm f/2.8 GM Sony G…
Featuring a 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective the Venus Optics Laowa 24mm f/14 Probe Lens PL Full Frame is an amazing step forward in macro lenses. The wide angle design means much greater depth of field at close distances than possible with conventional telephoto macro lens, so more…
Voigtländer Zoomar 36-82mm T3.1. This is one of the oldest zooms ever designed for commercial still photography for the 135 format (Full Frame 36x24mm). It was released in 1959, and was incredibly advanced for its time. The images it makes are still impressive today.
Crucial for any cinema zoom lens, this lens is parfocal. It is sharp on center, with subtle fall-off towards the corners. The lens has surprisingly low chromatic aberration for such an…
The Zeiss 70-200mm T2.9 Compact Zoom CZ.2 Lens with EF Mount is a telephoto zoom lens that is optimized for motion picture production. The lens offers full-frame (36 x 24 mm) coverage and exhibits no focus shift over the zoom range. The cine-style housing features calibrated focus scales and industry standard gearing for focus, iris and zoom. At 9.84" long and with a weight of 6.2 lb, the 70-200mm is relatively compact and lightweight, which makes it ideal for handheld and Steadicam…